12/24/2024

Scandi-Merica #5 - Merry Christmas!

 

Merry Christmas and Merry Jöl (ancient Norse holiday where many modern Christmas traditions are believed to originate from, and not to be confused with the Winter Solstice) from Scandi-Merica! A wonderful time of year with (ideally) a snow covered landscape to feel joy in the peaceful winter atmosphere and enjoy holiday feasts and fun with friends and family. Couples Brúnn and Jarpr; Gulr and Ætta are enjoying a toast of Glögg (Non-alcoholic of course) and the ancient Jöl tradition of feeding the ravens.

I've been working on this single page Christmas card-style comic for a while now, and this is maybe my favorite coloring that I've done yet! I did some more experimenting, to the point where I felt like posting two pictures. The first one is what I originally visualized, with Gulr and Ætta both having the same shade of green for their sweaters and the symmetrical flipping of green/red for the two couples. However, the coloring process on paper looks a little different from the final scanned in version, as the forest green kind of blends in with the black inks, I thought it might look a bit confusing on whose arm is whose for Gulr and Ætta. So I colored her sweater in as a lighter green, which I think looks really nice too, and even still works symmetrically considering Brúnn has a lighter red/pink as part of her sweater.

I was still curious to how the forest greens would look together, knowing my past experiences with the green and black inked lines becoming more distinct in the scans. So on a separate print, I colored in just Ætta with the forest green so I could see how it looks after scanning both in. Took a little bit of touching up after pasting in the completed one, but I think the colors look good and the lines clear enough to differentiate each characters arms in the toast. I also added some white touches to Brúnn. However, I love how both look and was having a hard time picking between the two, so I decided to post both. I also experimented with using different colors for the raven outside my usual choice of grey, adding in some more texture and purple accents. However on paper I wasn't sure if I'd rather have just the grey, so I did that on the same other print with Ætta. After scanning in though, I loved how he came out, so I stuck with that.

Which one is your favorite? Do you like both Gulr and Ætta wearing forest green, or do you prefer the lighter green and like how it compliments the lighter red/pink that Brúnn has? Also, what's been your favorite of this year's Scandi-Merica strips?

View on Newgrounds

12/06/2024

New song and new artwork! - Space Valkyrie (Himinvalkyr)

 

Excited to release my first straight up distortion heavy metal song! I've been listening to metal my whole life, and I've always wanted to compose and record metal music of my own. I realized the bass is such a beautiful instrument on it's own and that I didn't have to wait on others to record my own music, and I've developed my own unique harmonic bass sound but I still was craving some heavy stuff. I've been experimenting with recording distortion right for a while now, and I've started to get an idea of how to record and mix it. I've now got an amazing solo bass grunge song played on a 4-string bass with an MXR Fullbore Metal distortion pedal and a slight alternate drop-D tuning. It's slow and sludgy, and Viking Grunge feels like an appropriate description, enjoy! 

 Listen to the song now on Youtube and Newgrounds.

 One of my favorite bands and main inspirations has always been Soundgarden, whose influence can definitely be heard. Some of my other main inspirations when it comes to my grunge sound are Fu Manchu, early Queens of the Stone Age, The Sword, Ningen Isu, Om, and Load-era Metallica.


Himinvalkyr, used for a single cover for my solo bass grunge song Space Valkyrie. While I drew this with the song and title in mind, I love this as its own separate artwork as well. I started it after recording the song, but most of it came to me after looking at the beautiful artwork that adorns eighteenth century Icelandic manuscripts of the Prose Edda. I feel it's a combination of my own style with a touch of that old Icelandic artwork, and I've always loved drawing the constellations.

It depicts a Valkyrie (warrior women associated with the gods Oðinn and Freya and the place of Vallhalla) throwing the North circumpolar constellations Cassiopeia, Draco, and Cepheus into the heavens. This relates to how many different cultures have stories of different gods/goddesses/figures putting different things into the sky to form stars/constellations. Unfortunately there's not a whole lot of information on Norse star lore, but I've always had a love of the stars and constellations.

11/27/2024

Scandi-Merica #4 - Sports

 

Jarpr and Gulr see a sign and think there might be an interest in their Scandinavian culture in town outside their village, but unfortunately it looks like there's a bizarre American cultic ritual that uses images of stereotypes and animals all in the name of guys in tight pants chasing a strangely shaped ball whose most ardent watchers don't play the sport themselves.

This was actually the 3rd Scandi-Merica comic I drew and inked, but the timing of things and printer issues had the Leif Erikson Day strip take priority and that ended up being #3 and after finishing that strip I did the coloring for this strip. I feel like that helped how this strip turned out, as with the Leif strip I really felt an expansion in my color usage and I was more satisfied with this comic after coloring it in. I especially like how the orange and lavender looks and contrasts with the darker hues. Also, somehow it feels appropriate for Thanksgiving time, to quote AVGN's Atari Sports episode "...football on Thanksgiving?!?!?!?!?!..."

All art, writing, penciling, inking, and coloring created by me.

View on Newgrounds

11/20/2024

Bionicle Matoran Adventures - Video Game Review


 Bionicle: Matoran Adventures (2002)
Argonaut Games
Game Boy Advance
 
It's been quite a while since I've written a review, especially for a game (only wrote a couple back in 2015) but with both Bionicle and video games being a hobby of mine, I want to bring light to what I feel is not only an underrated Bionicle game, but one of the most underrated 2D platformers out there, especially for a handheld game.

Argonaut Games are a pretty legendary developer team that unfortunately don't often get their due credit. They were responsible for the FX chip for Super Nintendo cartridges to bring more complex designed games at the time. They created the one and only original Star Fox (as well as its sequel that was cancelled by Nintendo, but has since seen an official release as well as many homebrew cartridges), a groundbreaking 3D space shooter, and all those Smash Bros players who main Fox or Falco wouldn't have said characters if it wasn't for Argonaut's game back in 1993.

Fast forward almost a decade later, and they got the rights to develop a couple games for Bionicle; buildable figures and a sci-fi series about Bio-mechanical beings full of rich lore that almost single-handedly saved the Lego company from bankruptcy. Matoran Adventures is the first of Argonaut's Bionicle games, and honestly probably my favorite Bionicle game in general.

If you've played a 2D platformer before, you'll know what to expect for the most part. It has the usual basic side-scrolling format as you jump, run, and fight through six different worlds/locations (known as Wahis/Koros in the Bionicle world) with occasional bosses in between levels until finally facing the Bahrag twins (dragon-esque characters that control the Bohrok) as the final boss. You play as one of six Matoran, villagers of each Wahi, though only the Le-Matoran Kongu is playable at the start and you have to unlock the rest, which I'll get to later. Your means of attack to defend yourself from Rahi and Bohrok is a throwing disc, which can be upgraded to have better range each time you pick up a disc powerup. Each Wahi has their own respective Turaga (who are basically like village elders) that you need to find in the level to help stomp on switches or break walls/rocks with their staff. The enemies have some slight variations, the Rahi are the basic enemies with some being on ground and some in the air. They have simple fixed paths of movement, but some will also shoot at you or charge. The Bohrok will go back and forth in their rolling position before standing still, which is the one time they're open for attack. How many times they roll and how many hits they take is dependent on the type of Bohrok.

For the most part the enemies and their placement in each world is fair, but sometimes the Bohrok do get really annoying if there's a lot of enemies on screen, which is especially true for later in the game where many of the Bohrok are the kinds that take multiple hits. The game is at it's worst in the Ko-Wahi stage, which not only has you constantly sliding on ice (There's very few games that I would say have fun ice mechanics, Gex 2's are alright and the ice racing in Dice's Rallisport Challenge games can actually be pretty fun.), but also has a ton of backtracking, cliffs or spikes right by ice, and it honestly feels like the most enemies on any level. Even when you have your disc upgraded to full range it's frustrating, but not too bad the first time; however, it just becomes more of an annoyance in future playthroughs. A level skip being unlocked after beating the game the first time would've been nice, as I love the rest of the game.

Now that I've expressed my frustrations with that level, the rest of the game is just extremely fun. The gameplay isn't a huge deviation from a traditional 2D platformer, but what it does with that classic game style, it has its own unique vibe. I get the feeling Argonaut had a lot of love for Bionicle, ironically more than Lego, the company it saved. Each Wahi looks great and reflects each element and atmosphere really well. From the lush greens of Le-Wahi to the dark yet well lit caves of Onu-Wahi, this same skill for setting and creating Bionicle locations in a video game setting would carry over into Argonaut's future Bionicle console game (Bionicle: The Game) and even their unfortunately cancelled Bionicle: City of Legends game. The Rahi are all great 2D sprite depictions of their 3D counterparts, with some even being from the 2002 Master Builder set, as well as several Argonaut original creations. The only negative with the visuals would be that each Matoran and Turaga are just color swaps and have the same mask (All Matoran have the Kanohi Hau, and the Turaga all have the Kanohi Rau). I'll assume this was just to save time with not having to draw and program extra sprites (considering Lego's track record with other games, especially Argonaut's own Bionicle: The Game, I wouldn't be surprised if there was some time pressure on this game as well).
 
The physics and movement is snappy yet smooth, and there's a surprising amount of direction you can throw your disk. You aim it with the d-pad, and it can be tossed diagonally, and not only that but you can also move it while it's in the air. It's all really satisfying, and they really went all out in making the disc mechanics equally fun and versatile. Adding on the ability to look up and down for hazards and enemies, this makes it easy to catch enemies on an upper or lower platform without having to risk taking a hit. On the subject of that, there's a sort of shield/energy bar where you can take about 3 hits before losing a life, but there's extras around each level, and extra lives especially are abundant. So even during Ko-Wahi you'll rarely get a game over. It is worth mentioning though that they did the bizarre and, in the words of JonTron when talking about the Bubsy games, "put falling damage in their fucking 2D platform game?"; however, unlike a game like Bubsy, it's really not a problem as I never even really noticed it until playing some today before finishing this review. There's rarely going to be moments where you fall from a tall height with there not being a hazard there anyway, but it is something to be aware of.

However, where the game shines like no other handheld game I've played, is the beautiful soundtrack. The music is credited to Juston Scharvona, but as I can't find that name anywhere else online, I'm going to assume it's a typo and means Justin Scharvona. He was the former lead of the audio department at Argonaut, also creating the soundtracks for more well known Argonaut developed games like the Croc series. Immediately when you start up the game, the first thing you hear besides the GBA logo's ding, is the ethereal opening music. A oscillating drone of ambient dub beauty, which is so good the same opening hook is revisited as part of the Ga-Wahi theme. While most of the Wahi's have more of a bit techno beat, Ga-Wahi is fittingly more on the atmospheric side for it's lush aquatic landscape, but still hits with a strong beat especially the clanging bridge that sounds right out of an album by Japanese breakbeat duo Hifana. Ta-Wahi's theme is another favorite of mine, especially helpful in powering through the falling bridge gauntlet mid-level, and has a great backing bassline that I've been playing around with figuring out the notes on bass. The boss tracks go hard, with pounding bassy synths, and help give some real oomph to each fight.
 
The game doesn't take very long to beat, while I spread out my time in my playthroughs, I'd probably estimate as between 3-5 hours? I think that's a good length for a handheld game and as far as replayability goes, if you didn't find them all the first time, to unlock the other Matoran you have to collect the 4 pieces of the respective character's mask in each Wahi (The masks you collect are the correct one for each character). While the other characters are just recolors, the game is so fun that anything extra is satisfying to unlock.

This game unfortunately often goes forgotten or ignored by many, even Bionicle fans. I'd recommend it to any fans of 2D platformers, considering it's all about the gameplay (as well as the great music) and you definitely don't need to be a Bionicle fan to appreciate it. There is some unintentional humor though that can be taken from it if you are a Bionicle fan, considering the absurdity of the game within context of the story. In the story it was the Toa Mata (the main characters, and most basically described as guardians/warriors) that had to take down the Bohrok and the Bahrag twins, and not only that but they needed the Exo-Toa mech suits to do so. So with how the game plays out, the idea of them all being taken out by the regular villagers is pretty hilarious. 

The game is pretty easy to find both to emulate and on an actual cartridge, so if what I've described sounds fun, check it out!
 
Have you played this game? If so, what are your thoughts? Are you a Bionicle fan? Do you have a favorite Bionicle game?

If you enjoy the soundtrack for this game, there's a couple EP's/albums I'd recommend from friends/fellow independent artists:

My best friend Windsock sampled that very opening theme in his power ambient dub song Dream Koro, an opening to his own EP Frantic Atlantic: https://sockwind.bandcamp.com/album/frantic-atlantic

and listening to the soundtrack in higher quality, I was reminded of some of Ursula's Cartridges' tribute to 90's space shooters in his Shump Chronicles: The Original Soundtrack conceptually to a lost CD-Rom game: https://ursulascartridges.bandcamp.com/album/shmup-chronicles-the-original-soundtrack

10/25/2024

Tail Thyme - New EP out now!

 


I'm proud to announce that my new EP of solo bass harmonic rock, Tail Thyme, is out now on Youtube!

Tail Thyme is probably my favorite song of mine I've released so far, so much so that I recorded several different versions before deciding on one for the single. However, as I loved a few others, I decided to release a few choice versions, all with some differences in sound, composition, and the Fáfnir & Pine Edit being closer to a whole new song. Complete with an additional B-side track, Half-Baked Alaska, I wanted to go for a tracklisting/structure similar to a 90's techno/breakbeat single/EP like The Chemical Brothers' Life is Sweet maxi-single for example. I feel I got what I was going for, and I'm really proud and happy with how it turned out!

 Listen to the full EP on Youtube, and here's the original mix of Tail Thyme on Newgrounds (I'll release the rest of the songs in the coming days)

Other streaming services to come later.

Enjoy!

10/15/2024

Scandi-Merica #3 - Leif

 


Happy belated Leif Erikson Day! (October 9th) Jarpr gives a Scandimerican history lesson on the importance of Leif Erikson Day.

Had this comic all drawn well before Leif Erikson Day, but due to printer issues I had to wait a while to ink and color it. Got that all worked out now, and happy with how it came out. I love how the colors really pop out in this strip, and it really reminds me of the vibrant colors used by the Fauves, particularly painter Henri Matisse. He's always been one of my favorite artists, and when I started coloring my work I noticed the inspiration come through. I also love the contrast between the black and white ink of the backgrounds and the coloring of the foreground, I feel it makes both stand out more.

Note: Njóttu Dagsins means "Have a good day" in Old Norse.

All art, writing, penciling, inking, and coloring created by me.

 View on Newgrounds

8/10/2024

Proof You Don't Need the Music Industry to be Successful: 1 - Vargskelethor

These past few years I've seen a new creative renaissance happening, with more and more artists discovering (or re-discovering) themselves and building their own independent ways of doing things. The 'music industry' is dying, and that's a good thing. The internet has made it easier than ever for artists to work for themselves, to find their own audience, and release their creations directly without any middlemen or other meddlers. 

Being an independent artist myself, I'm starting this series to highlight other independent creatives that I love and have influenced my self-confidence and inner growth, and to inspire other creatives to not let anything stop you from following your passions.

Starting out with the Swedish musician Vargskelethor Joel, one of the first musicians I remember listening to that has always completely self-released his own stuff (and his band). He's most known for his video game streaming on Twitch/Youtube, and he's also the vocalist/guitarist of thrash metal band Scythelord, and does thrash/death metal solo albums under just Vargskelethor. He blends his comedy and humor found in his gameplay videos in his solo material, and I first started regularly listening to his solo stuff in 2019 after I was blown away by Skeleton Metal III. I highly recommend said album as well as his most recent album Blasted Residuals to any fans of classic thrash (and don't mind some occasional old school death metal vocals), which came out this year and has quickly become one of my favorite albums from this year so far. Wrestling Stone Cold off that album has to be my most listened to thrash song released within the past decade, and reminds me of the pure fun comedic thrash that was done so well back in the 90's from bands like Scatterbrain. Want to play some of these songs yourself? You easily can as there's guitar and bass tablature out there on guitar tab sites. Now that says something, there's some really popular bands that won't have a whole lot of tab, but here's a completely independent musician who's attracted fellow musicians to learn these songs themselves and tab them out for others.

He's found his audience and a niche in the modern thrash scene with both those wanting some good humor back in thrash, as well as crossover between metal fans and video game fans through his gameplay videos. Be true to yourself and your own unique passions, creativity, and skills and you'll attract the right people.

 

 Check out his music here: https://vargskelethor.bandcamp.com/

 https://scythelordofficial.bandcamp.com/music

7/29/2024

Pantera - Vulgar Display of Power

 

Pantera
Vulgar Display of Power
(1992)
 
"A NEW LEVEL, OF CONFIDENCE, AND POWER!"

Nothing hits harder than this album when one's pissed off or overwhelmed with emotions and it works for me every time. It's an instant surge of energy, and before you know it the album's finished and you feel empowered.

There's not a single dud on here, there isn't even a song that's less memorable. Of course you have the metal anthem that is Walk, but the whole album is an anthem of metal spirit. Phil Anselmo is unmatched in gruff screams, with only John Bush (Armored Saint, Anthrax) coming close to the unhinged forcefulness. His lyrics are inspiring and speaking to the self-respect, self-confidence, individuality, and honor that I've always associated metal with. Dimebag is for good reason well respected for his solo skills, but also of note is how heavy of a sound he gives the band from being the only guitarist. Last but not least the rhythm section is among the best, it's just hook after hook and even during a solo there's something groovy in the background. Bassist Rex Brown has been a big influence on an approach to my own songwriting for thrash metal, as he basically gives his own rhythmic bass solo while Dimebag's doing his solos.

Also, it's possibly the album cover best representative of the music inside, just one forceful punch to the face that lasts for a fantastic 52 minutes. If asked to pick a top five albums of all time, this would definitely be one of those. 

Originally written in October 2019.

7/20/2024

Scandi-Merica #2 - Stave

Scandi-Merica #2 - Stave

Jarpr puts the art back into architecture by creating a beautiful Stave church in the Norwegian tradition.

Inspired by classic newspaper comics and Japanese cartoons, combined with my Scandinavian culture, I create a comedy cartoon that blends traditional cartooning, old Scandinavian culture and tradition, with my unique and sometimes surreal sense of humor.

All art, writing, penciling, inking, and coloring created by me.

7/03/2024

New single, Tail Thyme, out now!

 

KJörd

Tail Thyme

My new single, Tail Thyme is out now on Youtube, Odysee, Newgrounds, Spotify, and iTunes/AppleMusic!

Tail Thyme continues in my harmonic rock style, and the references to the video game character Gex come from as I was composing this song one of the main hooks reminded me of the unique techno bounce of Gex 2's menu theme. That's where the title came from, as "It's Tail Time" is his (in)famous catchphrase, but I did some play on words with the title and made it like the spice Thyme (which he has a sprig of in his mouth on the cover art). 

Listen now from the link on my blog, or the links below:

Youtube 

Odysee 

Newgrounds

Spotify

iTunes/Apple Music 

6/27/2024

Scandi-Merica #1 - Glögg

 Scandi-Merica #1 - Glögg









Presenting the very first comic strip of my new Webcomic Scandi-Merica! While rolling Lefsè, Ætta is concerned that her husband Gulr may have picked up drinking, but who wants alcohol in a delicious and delectable spiced Nordic beverage?

Inspired by classic newspaper comics and Japanese cartoons, combined with my Scandinavian culture, I create a comedy cartoon that blends traditional cartooning, old Scandinavian culture and tradition, with my unique and sometimes surreal sense of humor.

All art, writing, penciling, inking, and coloring created by me.

6/21/2024

Coming soon: My brand new webcomic Scandi-Merica!

 

I'm proud to announce my new Webcomic series Scandi-Merica!

 Inspired by classic newspaper comics and Japanese cartoons, combined with Scandinavian culture, I create a comedy cartoon that blends traditional cartooning, old Scandinavian culture and tradition, with my unique and sometimes surreal sense of humor.

All art, writing, pencilling, inking, and coloring created by me.

 Coming soon to this blog, as well as other platforms such as Newgrounds and Instagram. You can follow me from here:

 https://unitron2112.newgrounds.com/

https://www.instagram.com/kjordfjordcomics/

6/19/2024

My debut EP out now on Youtube and Odysee!

 

KJörd
Flags & Arrowways
 
I'm proud to announce that my debut EP is complete and available for full listening on Youtube and Odysee!

This is an EP of harmonic rock all played on one 5-string bass, and compiles Arrow on the Narrow, Stereo Compass, and Gibbous Gibbons as the base of EP, with my cover of Yeah Plan and the Gibbous Gibbons edit as bonus tracks. All the covers of the singles also forms one complete picture, the original artwork that I actually drew a few years ago. I'm really proud of how this EP came out, and there will be more songs, EP's, and albums to come!
 
Listen now from the link on my blog, or from the links below:

6/17/2024

Underworld -- Everything, Everything

Underworld
Everything, Everything
(2000)

"Crazy Crazy Crazy Crazy Crazy Crazy" 

There is nothing like a well-produced, clean sounding, fantastically picked setlist, and highly energetic live album that captures a band at the height of their career. Underworld's Everything, Everything, recorded during their Beaucoup Fish tour, is up there with the likes of Daft Punk's Alive 2007 as one of the best live albums out there. Everything is exploding with energy and passion, with a perfect balance of keeping some crowd reaction but not letting it overtake the music.

For the most part, they don't improvise and mashup songs like Daft Punk mastered, but turn things up to 11, with the performances of Kiteless, Push Upstairs, King of Snake, Born Slippy, and Rez/Cowgirl making the already intense studio versions sound like leisurely strolls. That's no easy feat, especially those last three tracks, I have a hard time believing anyone couldn't just immediately get a burst of energy with the infectious power that Underworld puts on display on all fronts. Breakbeats, house energy, and techno melodies are all around, and Karl Hyde commands the stage with his intense vocal performance on these tracks.

If you can't get to a concert or a band doesn't have concerts in your area, live albums like these are the next best thing and bring the concert to you. When you can get a good recording, never underestimate the power of a passionate band who's on top of the world. 
 
I believe I wrote this in 2022 on RateYourMusic.
 
If you like Underworld or just great harmonic bass riffs, I recently recorded a solo bass cover of the Beaucoup Fish deluxe edition bonus track Yeah Plan, you can listen to it from the links below:

6/12/2024

Daft Punk - Human After All

 

Daft Punk
Human After All
(2005)

"We Are Human After All"

I remember first getting into Daft Punk through their fantastic Alive 2007 album when I saw it at the library. The pure energy and passion that explodes from that performance is enough to sell anyone on the sound, and I still regard it as one of if not the best live album ever made. While everything was mashed up on the album, I found myself drawn most to the songs from Human After All, so Human After All ended up being the first studio album I listened to from the French electronic duo.

In retrospect to their discography at the time, it was simultaneously a huge leap forward in experimenting with different sounds and a combination of prior elements that defined the band. The abrasive sound of songs like Rollin' and Scratchin' from Homework is increased ten-fold and beautifully contrasts with the melodies that were so fantastic on Discovery. This is a perfect album where noise and melody are combined as one with great hooks.

The title track and of course Robot Rock blend hard rock guitars with electro melodies and house rhythms in a way that's never been matched. Sandwiched in between those two songs is the chaotic Prime Time of Your Life, which keeps building and building into a power noise frenzy before just ending. While some may have wished for a drop, the buildup is so intense that there really wouldn't be anyway to have a drop hit as hard.

While I could and do listen to all these songs on their own, the album flows so well that it makes you just want to start it right back up again after the end of Emotion. For a while I thought the title track would've been a better way to end the album, but it perfectly loops back around with Emotion's combining of Make Love's chill and beautiful melody with hooks from the title track. Make Love acts as a nice intermission between the pounding of Steam Machine and The Brainwasher, making Emotion's connecting elements fit as a perfect closer.

Fitting for the title, for two robotic personas, Human After All expresses a lot of touching emotion while bringing a serious dance groove. I absolutely love music that brings both an equal physical and emotional reaction in me, and this album sure does just that. As much as I love Discovery as well, Human After All has the edge as my favorite Daft Punk album and one of my all time favorites. The definition of an underrated classic.

Originally written on RateYourMusic in February 2021.

6/11/2024

Van Halen - Van Halen (1978)

 

Van Halen

Van Halen

(1978)

"Nobody rules these streets at night like me, the ATOMIC PUNK"

In the world of guitar virtuoso's, several can obviously play with great technical skill, but not as many mastered songwriting. The way to truly become one of the greatest guitarists of all time to the ears of many music lovers, is to not only master your craft in a technical sense, but also master songwriting and be a true team player in a band where each member has equal importance and never outshines another.

This is what made the original lineup of Van Halen such legends and Eddie Van Halen one of rock and metal's most celebrated guitarists. The band had pure chemistry, with each member being a master in their field. David Lee Roth sings with so much exuberance and charisma that few other frontmen have been able to match. Eddie Van Halen plays fantastic melodies, hooks, and solos that always fit into the song. Michael Anthony's bass thumps, pops, and stands out like no other, and Alex Van Halen's drumming is rambunctious, driving, and along with the bass makes for an incredibly energetic rhythm section.

Van Halen's debut set the blueprint for future Van Halen albums, with the band taking their songwriting even into the organization of tracks making it all fit together perfectly. The guitar solo track Eruption could easily just come across as showing off with any other band, but it sounds great between the two classics that bookend it. Ice Cream Man, while good, wouldn't make a good ending. That's why On Fire follows as a fittingly fiery encore with some fantastic frantic and anxious sounding melodies.

Ain't Talkin' 'Bout Love's opening melody is one of the most iconic in rock and metal, and never gets old no matter how many times you hear it. I'm the One's Doo-Wop bridge screams with personality and what other band could make it blend perfectly with roaring heavy metal? The moody Little Dreamer with its heavy bass kind of reminds me of Budgie, who was unsurprisingly one of their influences, with them often covering In for the Kill at early shows. Even with all these highlights, Atomic Punk's always been my personal favorite. There's just so much attitude with one of the band's most commanding performances.

Van Halen's debut is simply a legend, and while I think Women and Children First and Fair Warning are my personal favorite albums from them, this isn't far behind at all. It's an iconic album that, along with the following few albums, shows how important band chemistry is to creating an awesome winning sound. The band may be called Van Halen, but each member is an absolute star here.

Originally written in October 2020 on RateYourMusic.

Another rebooting of this blog, Welcome to KJörd's Fjörd!

I first started this blog back in 2015, as a place to post the music reviews I was writing on other websites at the time as well as music reviews that wouldn't fit on said sites. After my writing style had reached a peak in 2018, I took a break from writing reviews for a while and had half-abandoned the blog (called The Wicked Nest, named after the 2014 album by thrash metal band Helstar). I started writing reviews again in 2019 and rebooted this blog for posting both music reviews I had been posting to other sites as well as expanding what I could review (such as comics). I used it for a short time before neglecting it again, though I kept writing music reviews for a while after. 

Now I focus more on my own music and art (under the name KJörd's Fjörd), and decided to reboot the blog under said new name for posting my artwork and sharing my music too. However, I'm really proud of several of those reviews I wrote since last posting that I hadn't ever posted to here, so I will be posting those. Maybe I'll also write some more about music and art that's influenced me, who knows? I kept most of what I had posted after the first reboot as I still enjoy and agree with the writing, and republished some older writings that I enjoy and show my growth as a writer.

Hope you enjoy, and you can check out my own music here: https://kjordsfjord.carrd.co/

Also my friend, who inspired me to make this blog in the first place, makes music: https://sockwind.bandcamp.com/